
Opening Prayer
Anpu, Opener of the Ways
4 Great Truths
ONKAO
Dua Ra Cheft
Dua Asar
Wikipedia
https://en.wikipedia.org/wiki/Wadjet
http://www.egyptianmyths.net/buto.htm
https://ancientegyptonline.co.uk/wadjet/
Speech of Aset
Speech of Nebthet
Maati hekau
Egyptian Proverbs pg 116: Breathing Exercise
African religions vol 4 Asarian resurrection
pg 216
PMH
pg assisted with birth of Heru
pg 90
pg 185: verse 43-44
Gloss verse 22 pg 190; pg 192
pg 256, gloss for chapter 25 vs 1-3
chapter 27, pg 276
pg 288 vs 43-47
43. I Am Going forth by day in the presence of Asar as a possessor of Life
44. The two snakes have opened the Duat for me so that I may come back to behold the Uadjit Eye
45. The water is overturned on the back of the Bennu & the two lady confederates
46. Heru is given the restored Uadjit Eye so that he may illumine at dawn. My name is his name.
47. there is not greatness above me in my aspect as the god-lion
pg. 291 this magnanimous view…
EY AR vol 2 pg 100
PMH Chapter 17 also Goddess Book pg 59
“Behold Ra who was born yesterday from the buttocks of the Goddess Mehurt. In the answer to the question:”What then is this?” it is explained: “It is the watery abyss of heaven, or as others say, It is the image of the Eye of Ra in the morning at His daily birth. Mehurt is the eye (Utchat) of Ra.”
TOL: enscribed at entrances of holy temples
sundisk encircled by a serpent
pg 7: sefech ba ra
pg 143: Caduceus
pg 145: UrUadjit winged sundisk
Notes from https://ancientegyptonline.co.uk/wadjet/
personification of Lower Egypt
always appeared with her sister Nekhbet
“nebty” “the two ladies”
created the first papyrus plant and primordial swamp.
daughter of Atum (or later Ra) who sent her as his “eye” to find Tefnut (moisture) and Shu (air) when they were lost in the waters of Nun
created the first human beings from his tears. To reward his daughter, he placed her upon his head in the form of a cobra so that she would always be close to him and could act as his protector.
Eye of Ra” was often called “the Wedjat”.
In this form she was sent out to avenge her father and almost caused the destruction of mankind.
closely linked to the principle of Ma’at: when Geb went against Ma’at,
Wadjet was not prepared to allow him to go unpunished.
She offers protection to all women during childbirth.
Wadjet and her sister also protected the adult Horus from the followers of Set.
This protection was also extended towards the pharaoh who wore the “Royal Ureas” (serpent) on his (or her) forehead.
She was worshiped at the Temple of Wadjet, known as “Pe-Dep”
Vulture Goddess
Cobra Goddess
Dua Uadjit
Dua Wadjet
Dua Utchat
Hotep
Uben Nefer. Welcome to Ancient African Adorations for April 1 on the Neterian Calendar of Holy Days. April 1 is the Day we honor HetHeru the Great Goddess.
Here is the Link for the love broadcast as well as the replay.
HetHeru is the Power of the Life Force Energy, the Sefech Ba Ra, the Aritus, the Kundalini Energy, the Sekhem, etc. The Goddess of Love, Music, Dance, Beauty, & Passion.
Offering Prayer
ONKAO
4 Great Truths
Anpu
http://www.touregypt.net/godsofegypt/hathor.htm
Description: Hathor is a very ancient goddess, dating to predynastic times. When dynastic rule began, as Horus was associated with the king, Hathor was with the queen. Her name translates to “The House of Horus,” and so she is associated with the royal family. But also, as the entire world could be said to be the House of Horus, Hathor can be seen as the mother-goddess of the whole world, similar to Isis.Hathor’s cult is unusual, as both men and women were her priests (most deities had clerics of the same gender as they). Many of them were artisans, musicians, and dancers who turned their talents into creating rituals that were nothing short of works of art. Music and dance were part of the worship of Hathor like no other deity in Egypt. Hathor herself was the incarnation of dance, and stories were told of how Hathor danced before Ra when he was in despair to cheer him up.
www.touregypt.com
“The menit is a ceremonial object associated with the goddess Hathor whose priestesses are commonly shown holding the emblem. Queens and ladies of waiting, when officiating as priestesses also wore or carried it. On rare occasions it was also worn by men, particularly by priests of the Hathor cult, and it could also be worn by the god Khonsu. We believe that, like the sistrum, this elaborate necklace may have actually functioned as a kind of percussion instrument in certain religious contests.

Appearing first in representations of the 6th Dynasty, the menit is associated with Hathor in all subsequent periods of Egyptian history. Even when it was included with other items of tomb equipment as an amulet in the later dynasties of the New Kingdom, it is still associated with the goddess in her role as a deity of the western necropolis and with her part in the rebirth of the deceased. Hence, it was certainly a symbolic item associated with the goddess Hathor, who bore the epithet, “Great Menit”. Many representations of Hathor in her bovine form show the animal wearing the menit around its neck and the necklace is thus sometimes associated with other divine cows. Not surprisingly, the menit is depicted dozens of times in the reliefs of the Late Period temple of Hathor at Dendera.”
http://www.touregypt.net/featurestories/menit.htm


“Two forms of this ceremonial instrument may be distinguished, the oldest of which is probably the naos sistrum (ancient Egyptian ss, ssst). While Hathor’s head was often depicted on the handles of sistrum, an early travertine sistrum inscribed with the name of the 6th Dynasty ruler, Teti, takes the form of a papyrus topped by a naos, which is itself surmounted by a falcon and cobra, thus forming a rebus of the name Hathor (i.e. hwt Hor). Thus, the sistrum known as the naos sistrum dates back to at least the Old Kingdom. It was usually surmounted by twin heads of Hathor upon which a small shrine or naos-shaped box was set. A vulture may crown the naos, and the handle may be covered with the incised plumage of the bird. Rods were passed through the sides of this naos to form the rattle. Carved or affixed spirals framing the sides of the naos represented the horns of the cow-eared goddess. Note that this earliest form of sistrum was often made of faience.
In a funerary context, sistrum could sometimes be included in the tomb equipment, but were frequently non-functional, and made of wood, stone or faience.
The symbolic value of the sistrum far exceeded its musical potential. It is thought that the instrument may have originated in the practice of shaking bundles of papyrus flowers (hence the onomatopoeic name sesheshet) with which Hathor was associated. In fact, the papyrus plant appears to be at the base of the mythology surrounding the sistrum. It is from a papyrus thicket that Hathor is seen to emerge, and it is also in a papyrus thicket where Isis raised her infant son, Horus. Hence, though originally mostly associated with Hathor, the sistrum eventually entered the cults of other deities and especially those of Amun and Isis.
http://www.touregypt.net/featurestories/sistrum.htm
Dua HetHeru Neteritah; Sekima; Nebt tawi; Sat Nesu Ra pg 47 devotion manual
Nuk Pu HetHeru
HetHeru Aha
African religions Vol 4: Asarian Resurrection by Sebai Maa Muata Ashby
vs 4.3-4a pg 70-72
vs 4h: The Myth of Hetheru and Djehuty
The Seven HetHeru Cows pg 77
HetHeru brings Ra out of his depression with a dance. pg 126 vs 144
pieces of Eye of Heru pg 130 vs 163
Substratum of Creation pg 142
Life Force Energy of Ra pg 142
Eye of Ra, Eye of Heru pg 152
7 Mansions, Cows of hetheru pg 156
Perfect Black pg 158
The Power pg 167
Menat 168
Sistrum Sesheshet pg 181
*PMH Sebai Maa Muata Ashby
*Chapter 5: Recognition of Goddess HetHeru as The Power to Live in Righteousness pg 193
1. HetHeru is the day of Amentet. She is also the dweller in Urt, and she is also the Mistress of the exalted, Blessed Land.
2. She is the Eye of Ra and she dwells in his forehead. Which is a beautiful face in the boat of forever
3. she is the seat of peace from which righteousness and truth can be done within the boat of the favored ones, the blessed beings. She makes it possible for the boat of the sun to make its journey in Maati.
*Chapter 5b: The Chapter of being in the Presence of goddess HetHeru Perpetually pg 193
1. These words are spoken to Asar __________________. Behold I am a pure traveler.
2. Behold O Ahi. Let me be among those who follow the goddess Hetheru
Gloss pas 194-195
Representation of Goddess hetheru pg 96-97
Chapter 20: Making a righteous appeal to God for being given sustenance in the Netherworld & Spiritual Enlightenment. pg 243
Egyptian proverbs compiled by Sebai Maa Ashby
pg 107: “I am the Lotus pure coming forth from the god of light, the guardian of the nostril of ra, then guardian of the nostril of HetHeru. I make my journey . I run after him who is Heru. I am the pure ne coming forth from the fields.”
PMH vol 1 Sebai Maa
Painting from tomb of Queen Nefertary pg 87
Dua HetHeru
Medtu dje in Asar
su hemt urt Nefertary
merit Mut Maa Kheru
Adorations to HetHeru. Words spoken by she who is an Asar and First Wife and Queen Nefertary, the beautiful beloved of Goddess Mut, and true of speech (spiritually victorious)
Sacred Beauty Prayer from Sacred Woman, Queen Afua pg 217
Hetheru; Gateway 4 Sacred Beauty:
Behold Creator, may my body temple become a sacred altar, clothed in an array of rainbow colors, reflecting the beauty and the boundless creativity of your light, so that my Body Temple may honor my beautiful spirit.
May divine beauty be anchored in my harmonies thoughts, and may my peaceful attitude and consciousness be reflected in the sacredness of the Beauty of the Creator, so that others may be uplifted by the sacred beauty I emanate in all my ways….
Sailing to Eternity…
Dua Hetheru Neteritaah; Sekema..
]]>
Udja! Uben Nefer Nehast! Good Rising and Great Awakenings.
The Music of Tchiya Amet has evolved and expanded over the last 3 decades, reflecting her Spiritual Journey, growth and development with every song, with every melody, starting as “Just” a Reggae band, then Sirius Reggae, Native Reggae, always Cosmic, Conscious and Spiritual Reggae, then Celestial Reggae! Next, we expanded to World Music. If you notice, the songs are usually based on Ancient teachings from the Four Directions.

After exploring the Culture, Wisdom and Teachings of Turtle Island (for instance: Tsalagi (Cherokee), Lakota, Hopi etc), and Eastern Spiritual Traditions (Buddhism, Hinduism) this Music finally made its way Back To Africa as Tchiya began her studies of Kemetic (Ancient African Egyptian) Science, Wisdom, Spirituality and Yoga, and has been ongoing for the past 10 years.

The studies of these teachings has resulted in a profound change in her consciousness, as well as much needed healing at the Spiritual and mental levels. This has brought forth wonderful new music, in fact, a completely new genre for her. One that is not well known by the majority of music lovers or even spiritual community.: DEVOTIONAL WORLD MUSIC. This music can be utilized for meditation, yoga practice, or just for spiritual enjoyment. There are many women who have gone through spiritual awakening, and their music styles were transformed, especially her mentor, Alice Coltrane, also Donna delory. However, these were all based upon the Hindu or eastern Yoga traditions and Buddhism. There are also singers in the native traditions, that began as rock, then as they went back to their roots, beautiful Native American Hymns came through their souls, singers such as B=uffy St. Marie, Joanne Shenandoah, and Rita Coolidge.

Tchiya Amet has traveled through these traditions, and now has found her musical abode within Kemet, following the teachings of Shetaut Neter (Hidden Divinity) under the guidance of Dr. Muata Ashby (Sebai Maa) and Dr. Karen Dja Ashby (Seba Dja). Visit their website at egyptianyoga.com

Tchiya had been looking for a place to offer these concerts since moving to Chicago, with not much success. Then, on December 30, Sebai Maa challenged her to start streaming the concert series online. January 24 was the first live stream on YouTube, and was met with success. After 4 more concerts on youtube, one streamed from Cairo Egypt, the series was moved to another platform: stageit.com.
The Music comes through in many ways:
1. when studying teachings from classes I am taking, certain phrases or passages stand out, and then a melody coms though when going over my notes! This is how most of my Reggae Songs came abut as well… reflecting on Spiritual Teachings from Indigenous Cultures and Traditions of the 4 Directions…
2. I have an issue, and am looking for a chant or prayer to shift my frequency and vibration. These would be called Sacred Words of Power.
3. Reading the passages of the Pert m Heru, in order to write a prayer for someone that has passed away.
4. Inspired by Celestial or Current events, the Hekau (chants) are like Musical Remedies. Often times, Hekau are sacred words of power, but most of the time, they are for Adoration…
5. Divine Singing: selected scriptures are put to music. They are not chanting, but Divine Singing, and these passages usually contain some type of formula or ritual within them.
“The Breath of Life is Contained within Sacred Words of Power.” Kemetic Wisdom
6. Traveling in Kemet and visiting the temples ALWAYS inspires new music. In fact, I have begun a Musical Initiatic Journey Travel Journal to document my experiences. The Concert from Cairo features the new songs that came through.
There is sooooooo much new music now, that I must simply (HA!) not easy though) STOP EVERYTHING and start recording…..
Join us every Second and Fourth Friday for a unique, one-of-a-kind online experience. Although I began streaming before the Plandemic, thanks to COVID19, now EVERYONE is doing online streaming concerts! Prayerfully, one day soon, we will be able to attend and present live in person concerts again. But for now, thank goodness we can experience music together in this way.
Please buy your ticket at least 3 hours in advance of the showtime, so that you can receive the Concert handout, which contains the lyrics, translations and teachings for the music that is offered. If you would like top receive the replays for the previous stage concerts, just send a small donation to paypal.me/tchiyaamet or cash app: $AmetElMaat and the links will be sent to you. You can watch the previous youtube concerts here:
Ancient African Adorations
You can buy your ticket tchiya.eventcombo.com
and you will receive the link to the livestream…
Looking forward to seeing you Friday September 11, and each SECOND Friday after that 7 pm Central at http://tchiya.eventcombo.com/
HOTEP
Arit Tchiya Amet
(Arit is my Kemetic name: It means Offering. I thought about just using it, instead of Tchiya. However, decided to just add it to my name…instead of wiping out Tchiya Amet! I am accepting of every aspect of Me. Through all of the growth and changes….pains and sadness too)

Udja.
Uben Nefer Nehast
Next stop on this Journey; THE INITIATION.


A trip is planned for October. The Initiate will study some of the sites that contain wisdom about Musicians. She will present a concert on the Nile. And she will attend the Celestial Event on October 22 when the Sun shines on Ramses for 22 minutes. This blog post is about the preparations and research for this pilgrimage.

Learn more about Ancient African Adorations and Devotional World Music
What exactly am I seeking? I don’t really know yet, but when I find it, surely, a song will follow….

Here are a few things I found at a website on history of music theory
The Ancient Egyptians believed that understanding music was the key to understanding the cosmos. The idea of opposites pervaded all aspects of Egyptian knowledge and the understanding and perception of harmony was believed to be an important experience of understanding ratios and the simultaneity of opposites.
Musical harmonies were based on proportion, and the design of Ancient Egyptian architecture was also based on proportion. Egyptians considered music as a type of geometry translated into sound, and that architectural proportion underlies all harmonies

Egyptians believed in the concept of the ‘infinity of sound’, and divided up the infinity of sound into three distinct categories. Musicians are aware of two forms of sound: regular vibrations (pitch) and random vibrations (noise). Tehuti was the first to recognize a third element – of muting, being the absence of sound. Muting is a common skill employed by professional musicians to contain the sound
Egyptian Harps were used mostly in religious rituals and ceremonies. Musical notes in ancient Egypt were regarded as spiritual elements, and were conceived as independent structural entities. The Egyptian ten string harp was played by priests and it was regarded as a sacred instrument.
Egyptians believed that letters and words were phonetic elements with each individual letter as a picture of its own sound.They believed that individual letters consisted of unique vibrational patterns
this same site had some info on Pythagoras, and stated that he studied in Kemet for 21-23 years.
- Pythagoras believed that everything in the universe was related to numbers and mathematics. He believed that all numbers had an important spiritual and holy significance and tht each one carried its own vibration. He saw music the same way that he viewed geometry and mathematics, as a holy, spiritual scientific endeavor, of which a perfect society could be created.
- He believed that music should be regarded as a holy science and should never be used for mere entertainment purposes. He recognized music as the unifying principle of Harmonia, which he regarded as a divine principle that brings order to chaos and discord, which is also a reconciliation of opposing principles. Harmonia was one of the main principles of design and creation used in Egyptian architecture.
a very good place to start…
A List of the Places we will visit October 15-25.
Cairo Pyramids
Mini Tomb of Beni Hassan
Abydos Temple of Seti
I think I saw Meryt here….
Dendera HetHeru/Hathor Temple of Love, Music, Motherhood, and Dance
Ihy God of Music , Son of HetHeru
Luxor Valley of Kings and Queens
Aswan
Philae Temple of Aset
Abu Simbel Temple Festival October 22

The Abu Simbel Sun Festival is a bi-annual event that takes place at the spectacular temple of Ramses II in the south of Egypt. On two days of the year the central chamber of the temple is illuminated by the sun. For a short period of time as the sun perfectly aligns with the usually shrouded interior, light is cast on the seated statues of Ramses II (pharaoh), Ra (sun god) and Amun (king of the gods). Only the statue of Ptah, the god of darkness, remains in the shadows. This event has been taking place for over 3,200 years.
Thee is still time to join us! Contact Tchya at cosmic at tchiya.com
HOTEP!!!
]]>


Tchiya will have her Reggae Wellness Products and Wellness Music Collection cds available for purchase.
You can also arrange to receive a KemeTonnes Cosmic Sound Healing, HeruScopes Astrology Reading and Consultation, or an Energy FLOW Analysis while she is in Rock Hill.
Next Stop: Chicago, IL August 21-29, 2017 Blue Lotus Chicago Wellness Center
8008 S. Ellis Ave #2S 60619
For more info, visit www.reggaewellness.com/tchiya-amet-el-maat to schedule an appointment, Or call 415-373-1075.
]]>

Today is June 24, 2017
Join us on one of the longest days of the year honoring the Summer Solstice, as we explore several aspects of Energetic Healing Therapies from Ancient Kemet (Indigenous African Egypt). You will learn about Energy Healing, Meditation, Sacred Chants, Sound Healing, Yoga, Live and Natural Foods, PLUS Reggae Music to close out the day. All founded on traditions from Ancient Egypt. You can also receive a one-on-one healing treatment from the practitioners that will be there.

will open the day with a Kemetic Meditation Session. Lotus Love Spirit healing will also be in the Healing Room offering her healing services, readings and wellness products. She is a Ra Sekhi (Kemetic Reiki) Priestess and Practitioner. You can learn more about Lotus Love here at https://lotuslovespirithealing.com/
and also at her facebook page: https://www.facebook.com/lotuslovespirithealingreiki/
A Musical Offering to the Divine, the Cosmic Forces also known as Gods and Goddesses that live within all of us. Songs and chants of love and devotion to the Ancestors. Songs to awaken these Cosmic Forces within you. Tchiya Amet sings songs from her wellness collection of Ancient Egyptian Spiritual Music. from The Blue Lotus Speaks vol. 1: Anpu, The Opening.

Ra Sekhi is the Kemetic approach to an energy healing technique that is commonly known as Reiki. These two masters and practitioners will provide the safe space for you to experience and to know more about this technique.
For information about Lotus Love, see links above.
Khemra Anetera will also have a healing booth with wellness products and jewelry.
https://www.etsy.com/people/sehawkins69
facebook: https://www.facebook.com/sherron.hawkins.3
will present an introduction to the Neters with Cosmic Sound Healing at around 3 pm. KemeTones is similar to acupuncture using sound instead of needles. Acutonics tuning forks are tuned to the planetary frequencies according to the Music of the Spheres by Pythagoras. (We all know that he studied in Ancient Kemet before coming up with his ideas and theories. ) The tuning forks are then placed directly on the body or in the energy field, thus removing blocks to the flow of energy. These blocks are the cause of all illness, pain or disease, so when the block is removed, the pain illness or disease are eliminated. for ore information, viist kemetones.org
Tchiya Amet El Maat, Natural Health Therapist,will be available for one-on-one sessions, at the event, or you can make an appointment to receive a treatment for the duration of her time in Chicago, until July 6. Visit her page at reggaewellness.com/tchiya-amet-el-maat/. for more info, and also to schedule an appointment: KemeTones, HeruScopes, Open Your Money Flow, Energy FLOW Analysis, etc. Her line of wellness products will also be available: TeaChiya herbal products, AstMaataJi oils and flower essences, and Light House Wellness Products. also available online at reggaewellness.com/corner-store

will present his healing artform at 4:30: is it a concert? is it a healing session? YES! It is beyind description, it must be heard, felt and experienced. This is a MUST SEE for your Summer Solstice Alignment!
You can learn more about Chef Via as well as the Menu for this event
http://www.tchiya.com/live-and-natural-foods/

| HousTone Records: Making a difference by Marketing, Recording and Distributing One CD at a Time!
PO Box 8305 |
The ritual of uttering the names of the goddess promotes purity of the speech. This purity was known as maakheru in Ancient Egyptian terminology. Maakheru is the primary objective of every spiritual aspirant. The names may be recited, chanted or used in song. The art of recital, chanting and singing the divine names supports the study of the mystical teachings given in the myths related to the various forms of the Goddess. Also, it bestows psychic powers on the aspirant which will allow him or her to achieve great heights of spiritual experience internally and also to perform great works in the world of time and space (human experience).
The Ancient Egyptian Goddess Names:
Apt, Nut, Mehurt, Aset, Hetheru, Maat, Rennenet, Meskhenet, Sefkhet-aabut, Nebthet, Ament, Nekhebet, Mut, Rekhat, Sekhmet, Arat, Bast, Ra, Sekhmet- Bast-Ra.
pg. 78 The Goddess Path by Dr. Muata Ashby
There was a at one time, a different version that came out a few years ago, but I do not have the rights to that music. I wrote the melody however. Actually, it just came through me, and I wrote it down. Well, I recorded it. Dua Sebai Maa and Dua Seba Dja for the Goddess Book.
I do not know how the names got to be placed in this order, however, I am so grateful to have received!
HERE IS THE SONG WITH NEW REGGAE MUSIC!
https://soundcloud.com/bluelotusspeaks/kemetic-goddess-chant
